Categorypolitics

collapsology and why it matters to me

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the road not taken

The kings were potent once
The queens indulging in vain
Vast possessions were theirs
But nowadays who cares?

The rich are eating the same poisoned dish
Drinking stinky water without fish
Behind concrete walls
Facing the other side of my concrete walls
And breathing the same filthy air
Saying it’s unfair.

The real wall has crumbled,
All mankind is humbled
Huddled in a small boat overcrowded
Until the wave will get us unloaded.

Tuesday, November 17, 2020 at 6:19 PM

Danach

Reading Time: < 1 minuteZur Situation von Theater in der Zukunft mit jemandem mich unterhalten. Es werden wohl weniger Leute in Ansammlungen gehen. Kino, Oper, Theater, Konzert. Wird es die Hälfte sein? Oder ein Drittel? Werden die Quoten in der Freien Szene noch magerer ausfallen, oder wird man die Quoten fallen lassen? Wie wird sich das auf ein “Exzellenz-Denken” auswirken: Werden weniger Künstler mit nur ein wenig mehr gefördert werden? Viele Fragen..

Aber später aber denke ich mir, dass doch nach der spanischen Grippe 1920  es den “Tanz auf dem Vulkan” gab, die “Wilden 20er Jahre”, und die Menschen waren gerade entgegen einer Ängstlichkeit in hygienischer Hinsicht vielleicht sogar von einer Art Weltuntergangs-Trotzigkeit angesteckt und feierten und warfen alle Beschränkungen und Hemmungen über Bord, wie etwa in den, leider zum Großteil verloren gegangenen Szenen aus “METROPOLIS” von Fritz Lang.

Vielleicht gibt es auch hier eine merkwürdige, überraschende Trotzigkeit, entgegen einer schleichenden “Distanzierung” in sozialen Ereignissen?

Gedanken für Danach

Reading Time: < 1 minuteWas es jetzt braucht, ist das Danach. Wenn jetzt die Börsen ihre größten Wertsteigerungen verzeichnen, dann heißt das: Wir anderen, ohne Aktien, aber mit signifikanten Gehirnanteilen, sollten unseren Kurs ebenfalls steigen lassen.

Es braucht ein **Manifest**.
Es braucht neue Gruppen, Verbindungen zu und von Gruppen, die bestehen, und zu der politischen Partei der Grünen überall, die unlängst so große Zustimmung erhielten und nun von der Bildfläche verschwunden sind, als wäre auch die Zustimmung zu einer Wende in der Gesellschaft ein Luxus gewesen.

Ein **Manifest** gegen das _Zurückkippen_ in die alten Angewohnheiten. Die Menschheit hat schlechte Angewohnheiten entwickelt. Es gibt überall Menschen, die sich um Bewusstsein, um Entschleunigung, um die Begegnung mit ihrem inneren Selbst bemühen. Diese sind die ersten Säulen für eine generelle Formation gegen die endgültige Übernahme einer nicht mehr länger zu tolerierenden “Wirtschaft”, die im Gefolge auch Politik, Demokratie und Freiheit des Einzelnen, nicht zu sprechen von der Würde des Menschen, abschaffen.

Außer dieser post-politischen Formation gegen das _Zurückkippen_ braucht es auch die Transzendenz, die Kunst und die Immagination, um an die Stelle des aufflammenden Attavismus und Animismus, konservativer religiöser Schuld-Konstrukte und überholter Moralvorstellungen zu treten und das in der Kunst der Gesellschaft zu geben, was sie benötigt, um ein Ideal zu haben.
Was wir brauchen ist ein **Manifest der Ideale**

Dazu gehört auch die völlige Veränderung unserer Haltung zur “Arbeit”. Nach dem Postkapitalismus kann nicht der Korporalismus kommen, sondern es kommt das ZOON, der Mensch als soziales Wesen.
Den Glauben an die Nähe müssen wir uns erst wieder zurückholen. Das, was “Arbeit” uns bedeutet, was es für den Menschen in seinem Leben wirklich bedeutet, muss ebenfalls grundlegend verändert werden. Feldarbeit, Fleischereiarbeit, Pflegearbeit, Nähereiarbeit: Bewegung des Körpers und Arbeit vereint. Eine Absage an die großen Maschinen. Eine Ansage an die kollektive Handarbeit.

Toscani’s Morandi breakdown

Reading Time: 3 minutes

About collapsing bridges, campaigns and governments. (A part of “collapsology”)

Note: I am interested in “collapsology”. I don’t see why it should be restricted as a term to mere “survival” attitude and research of a possible end-of-the-world-as-we-know-it. Saying that such an end might be a creeping, slow process, what I guess it might very well be, one has to consider also intellectual, moral and spritiual collapses as well. Part of this “END OF PROGRESS and the penultimate man” (see my larger project on this. Coming.) indeed are examples where human beings are just mere “content” for postings to fuel excitment and in consequence “visibility” and “reach” /”coverage” of the content providers or networks. The a-social networks have no moral at all. Now, read on…
First week of February, 2020, I am travelling back from Italy. Reading national newspapers featuring the incident of Benetton art-director-photographer Oliviero Toscani at Un giorno da pecora radio program. Toscani is snoringly audible on a telephone connection, often interrupted or overvoiced by the journalist. The conversation is about a photo depicting activists from “le Sardine” who are a political anti-Salvini group, Luciano Benetton, and Toscani in front of a cultural center sponsored by Benetton. Will Benetton be going to sponsor financially the “Sardine” group? Then the conversation moves on about Benettons financial engagement, not only the mentioned cultural center, but his share in the Italian highway company which is responsible for not maintaining the Genova bridge (Viadotto Polcevera, built 1967) of architect Morandi, which eventually collapsed on August 14, 2018, killing 48 people. This tragedy was widely broadcasted and discussed.
In my personal view, the following Toscani MIGHT HAVE WANTED TO SAY (but didn’t in this way, which caused the meltdown of his whole career!):
Is a shareholder of a motorway-managing-agency to be held responsible for the neglect of maintaining?
Not easy a question. A shareholder is
not “interested” in the collapse of a bridge, as she is only interested in here dividends. Right?
I am not talking about morality here, which might have go come in at some point. But: This isn’t so obvious at all.
What Toscani really said was: “Ma a chi interessa se casca un ponte?”
Corriere della Sera (Fr., 7 Feb 2020, p.23) 
 
The whole sentence is barely audible, while the radio speaker interrupts on top of Toscanis voics.
Corriere del Veneto (Fr., 7 Feb 2020, p.5) which is a sub-page of Corriere della Sera writes: “Ma a chi volete che interessi se casca un ponte?”
 
Maybe other citations are around in the medias.
Whatever the true words were, as I said before, Toscani created in my view an “ellipse”. What he might has left out was
But who [at the shareholders] are interested if a bridge collapses [as long as they get their share]”
Easily a stupid argument of Toscani could change into an accusation of immoral attitude of shareholders, not caring about they companies they have a share in.
Toscani was fired immideatly after his remark. He confirmed to be devastated about his remark himself when he apologized for it. No way back.
Curiously I was just reading Walter Michel’s “The Marshmallow Test” at the same time, when I hit the chapter: “Why do smart people act stupidly?”
I thought this Toscani-incident might have been an example for Michel’s findings. Now I don’t think it is. On one hand a sort of “set-up” by the radio journalist to drive Toscani in that path, on the other hand a simple, barely audible remark, even misunderstood, runs like an atomic bomb through all medias, ruining this iconic figure of Italian photography’s career.
Maybe Toscani was astonishingly too naive in his attitude to behave like a Trump who fucks around with his malformed Tweets and stupid, inappropriate remarks and behavior – without any consequences so far. Anyone else besides crazy dictators including the president of the USA is shot down im-media-tly, so to say. Blame the media. Yes. Maybe blame people who have “good intentions”. (They are the worst, I guess.) Combine those two, you get the mess we are in now.
Trump is another story, obviously, and the downfall of democracy in the USA and its downfall morally, politically, and in other hinsights too.
Regarding the “Marshmallow Test” maybe there is more to find in the even more recent incident about Benjamin Griveau and an alledged “Sex Tape” on the net, spilled by Russian “artist” P.
What ever truth lies behind these media-shit-story isn’t very clear (appearantly the video doesn’t prove Griveau’s presence), besides the fact that it bombed the REM candidate to Paris major Griveau out of space.
And then, remember the DSK New York incidents. Many questions never answered.
And, of course, above many others, the “IBIZA” video with Austrian ex-vice-chancellor H.C. Strache. The Austrian government collapsed at that time.
Sources: You might want to search the net yourself using the mentioned keywords. 
The original sound is heard here: 
2020-02-15 td

Comfort zone (1)

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When accidentally asked about current politics by a television team, building up in front of our main entrance I had a blitz feeling like those people walking into Downing Street 10 and alike…

Into the idle recording mike and camera I said that near future will be less comfortable than the last 50 years have been. If – if! – something has to change.

And, more important than anything else, probabely purely utopian: stop producing!

Stop “working”!

“Idle turning wheels”, an expression that merits its own blog post, aren’t either what they used to be. They are now producing, too.

How about “let’s go back!”?

Anyone out there has the courage to say:

“LET’S GO BACK!”

?